I want my paintings to have mystery, to allude to the familiar while remaining wholly ambiguous. I'm not interested in supplying all the details of a specific place. I want there to be more than one interpretation.
"December Light", 18" x 24", oil on linen, Lydia Johnston
By hinting at things, I hope to trigger the viewer's imagination, I want the viewer to bring some of his own experiences and recollections to the process. This collaboration allows the viewer to connect in a profound way. It allows the viewer to sink into the scene and be transported.